Tag Archives: one off

Fate of Cthulhu – FAe hack – rules

Having finished creating the various templates for the different professions in my FAE Cthulhu hack it was fairly easy to create some guidelines for accumulating stress when traumatic/insanity inducing effects are encountered and to note down some suggestions for derangements. The vast majority of rules can be used as per the Fate Accelerated rulebook.
My plan next is to write up some guidelines for creating a horror atmosphere using FATE (based on information from the toolkit) and jot down some possible FAE stats for the more prominent mythos entities.
The current version of the hack can be found here.

Fate of Cthulhu – FAE Cthulhu hack – Character generation

So I sat down last night with my trusty copy of Trail of Cthulhu (my preferred choice of the many, many different Cthulhu mythos flavoured games that I own) and decided that I was finally going to start banging down some of the ideas i’ve had floating around in my head for a FAE conversion/hack.

Why use FAE and not FATE core?

I’m running two games at the moment, my Rogue Trader game House of Black (run using FATE core rules) and my Secret of Specto Vale nWoD God Machine game (run using the Fate Accelerated rules); whilst I enjoy running both games, it has slowly dawned on me that there is a distinct difference in focus between the two games and, after some consideration, I believe it all boils down to how much attention the game pays to “stuff.”
By “stuff” I mean equipment and possessions specifically, in my Rogue Trader game i’ve fielded all manner of questions regarding equipment, weapons, space ships, etc that are possessed either by the individual player characters or by the Rogue Trader dynasty that they work for (the eponymous House of Black); however in my nWod God Machine game I think the only question I have been asked regarding possessions or items is whether or not someone can have an item on them to pick a lock. Obviously not all of this is to do with the different iterations of the system being used, they are certain items and objects that you are assumed to possess in a Rogue Trader game (a space ship for instance) and the setting focuses a lot more on things (unlike nWoD and some other games); however I do feel that the Fate Accelerated (FAE) system has encouraged the players to leave the equipment list checking in the background, they know what sort of stuff their player characters have access to and that I will usually allow them to have something if it appropriate. For example: Smokey Thomson is an old school criminal in the God Machine game, the player doesn’t have to ask if he has a gun or not or check his sheet, of course he had a gun; the players also seem a lot less concerned with the specific bonuses that their kit gives to them.
Another major advantage of the FAE system is that it is very easy to learn and pick up; I have only run two sessions of my God Machine game and all of the players have a very good grasp of the basic rules.
Fate of Cthulhu

I have always been a massive fan of H. P. Lovecraft’s writing and have read the majority of mythos material written by him, along with some of the later mythos themed writings, I also have a number of Lovecraftian RPGs and supplements such as Call of Cthulhu, Realms of Cthulhu and Trail of Cthulhu (to name but a few). Recently when we started up a one-off game night a friend of mine ran an investigative/horror based Hunter: the Vigil game that sprawled over the normal one session limit (in-fact we’re still playing it); it occurred to me that, although the story was good, I didn’t find the system particularly conducive to quickly creating a character and getting a decent one-off session of RP done. Wanted to address this and show how I would do it when the GMing duties eventually swung back my way I turned to the FATE system as my go-to roleplay system at the moment; i’ve already gone on loads about how I think that the FATE system places story over accurate rule mechanics in previous blog entries and so I won’t take up space doing it again, however, I thought back to how easy it had been to pick up FAE for my God Machine game and decided that this would be the game system for my horror one-off.
Having always been a big fan of the mythos, most horror games run by myself have a Cthulhu-esque flavour to them; not really wanting to create a complete Cthulhu FATE game from scratch though I turned to one of my favourite Cthulhu RPGs Trail of Cthulhu (you can see some of my thoughts on this game here) and began looking at it with a view to creating a FAE hack/version of the game.
Character generation & Occupations

Looking through Trail of Cthulhu a bit part of the character generation process is picking an Occupation, this sets your starting skills and a few other bits and pieces, you then (with most occupations) get to add one of two additional skills and tweak some little bits. Since FAE doesn’t involve skills and I was determined to maintain the basic 6 Aspect approach of FAE (to make it easier on the players and myself) I decided that I would have each player pick a template for their character based on profession.
One example of this is shown below:
Archaeologist: A person who travels to strange and exotic places in search of the past.
Starting Stunts – Archaeology, Athletics, Evidence Collection, First Aid, History, Ancient Languages, Library Use, Riding.
“Well known in academic circles” – Once per session the character may gain access to the restricted area of a museum or library by using their academic credentials.
Starting Refresh – 1.
Instead of skills the template would define a number of Stunts where the character received a +2 bonus when dealing with a particular subject; also any other miscellaneous benefits could be represented by an additional Stunt (the “well known in academic circles” listed above for example).
Once this had been done the Starting Refresh for fate points of the character would be defined by their Occupation Template (those templates with less Stunts would leave the player with more refresh points remaining); this refresh could be spent to acquire additional Stunts or saved as per the rules in the FAE rulebook.
Overall I was pretty happy with the start i’d made on the character generation session and posted a draft on the FATE G+ community to get some feedback; my next aim is to produce a series of small/compact character sheets (one for each Occupation Template) so that the players just have to pick one, jot in a few details and they’re good to go, making character gen really speedy.
The initial draft section is available here, any constructive feedback is welcome (I am aware the Scientist Occupation is missing it’s Starting Refresh rate, it should be 3).

Hunter the Vigil: Session write-up 3 – Agent Frank Dublowski

Please note: This is a write-up from an IC perspective of my character in a game that I playing.

“After arriving at the hospital we found Brockhurst in a state of confusion, something had really spooked him; he claimed that something had happened whilst he’d been performing the autopsy on the murdered woman and that his surroundings had changed without really changing and that the Red Raincoat killer had appeared and attacked him, however, he’d squeezed of several shots at the killer (apparently with little effect). Combing the area near where he’d been in the hospital I was unable to find any shell casings or evidence of arms fire, but Agent Brockhurst’s gun had definitely been discharged recently, suggesting that there was some truth to his story; a lot of agents might have blown off the idea that someone could be somewhere one minute and elsewhere the next, sure it sounded crazy, but I worked for VASCU, crazy was our business.

Coaxing him back into the autopsy room and guarding him whilst the investigation continued, it was discovered that the victim Anna had red seeds placed in her mouth and that her tongue had been removed; according to Brockhurst’s medical skills she’d probably died of blood loss as a result of the injury, some sort of sharp instrument had been used to remove the tongue.

Realising that we were getting nowhere and that more people might start dying if we didn’t make any headway I decided that enough was enough, the local sheriff knew something (I had seen it in his face when i’d shown the plant samples to the local forester) and he wasn’t telling; i’d been playing nice up until now, but i’d do whatever it took to get this case resolved and see that justice was done, God help anyone who got in my way. Pushing my way into the Sheriff’s office I confronted him, explaining that I knew he was hiding something and that we were both working to see that justice is done, he could either work with us or tell us what he knew and get the hell out of our way; my tactics seemed to work and he confessed to knowing about a small copse of red coloured trees located near a communal cemetery.

Travelling to the cemetary we met Brian Strange the groundskeeper who showed us to the copse of trees; noting that they appeared to be of the same genus as our original red plants (and remembering that they had grown in corpses) we commandeered some spades and started digging around the bases of the trees. Eventually, to our horror (but not surprise) we unearthed a number of bodies tangled in the roots, some long dead, others more recent, the cult overtones of this case were becoming harder to ignore. I rang the local sheriff and was halfway through calling in our other two agents when my phone shorted out and it began to rain; Agent Brockhurst paled and said this is what had happened at the hospital.

Sure enough we glimpsed a red-coated figure through the trees, it appeared to be dragging some sort of large and improbably heavy axe behind it as it moved through the trees that, in the dim light, looked for all the world like shadowy figures reaching out their arms towards us. We fired off a few shots but it seemed to make no difference, Brockhurst wanted to hold off the creature whilst I made a run towards our other lead, the distant lumber mill but, realising he was faster, I volunteered to hold it off. As Brockhurst broke into a run I kept firing at the killer drawing it towards me and then, as it got closer, and I could see that there was no face below the hood of the coat, I grabbed the large axe, wrenching the heavy weight from its grasp with all my strength and heaved it over my head.

I had hoped that the creature’s (since I had no doubt now that this thing wasn’t human) own axe might be able to injure it where our bullets had failed, but I could barely lift it; I hoped that the fleet footed Agent Brockhurst had got away as the things hands closed around my throat and began to squeeze. Blackness rushed towards me, my heart pounded in my ears as I felt myself falling.”  

One-shot games vs Campaigns

A few months ago myself and some friends (some of whom don’t have the time to game as much as they used to anymore due to family and other real-life commitments) decided that we would run a series of one-shot games on a Wednesday evening every couple of weeks or so, so far we’ve had a Mongoose Judge Dredd game run by myself in which the players tried to track down perps smuggling narcotics from the wasted earth into Mega-City One, a Star Trek hombrew game run by my wife Hannah where the crew of a single federation ship attempted to stop the Dominion in an alternate trek-timeline and a game run by a friend where we played ourselves in a semi-apocalyptic future setting where an evil villain from a RP world had taken over the Earth and our only hope lay in creating characters that could battle him on his own footing. Recently we played a Hunter the Vigil game run by Barry (my description of the session can be found at http://wh40krpg.blogspot.co.uk/2013/07/hunter-vigil-session-write-up-agent.html) that I very much enjoyed and am looking forward to the second concluding part, since exparently we spent so long chewing scenery and exploring our characters that we’d only actually reached the start of the main plot at the first session. The game started me thinking about the potential positive and negatives of running one-shot games over the more tradition (in my case anyway) campaign games.

Character Creation
During the course of a normal campaign game we generally try to avoid characters that are too stereotyped since we know that we’ll have plenty of game hours and sessions to further develop the character and explore him in greater detail, this is not the case in the one-shot where you want to get into playing the character as soon as possible, and you want other people to be able to react to him appropriately; in my experience this leads to creating character based more on easily recognisable archetypes. In a one-off session you want to be able to jump straight in, since you know that you don’t have the (often) more leisurely pace of the campaign game – i’ve found that either creating a history from well known tropes that the other players can immediately pick up on is one what of handling this; for example my character in Hunter, Agent Frank Dublowski, is a hard drinking ex-cop whose partner was killed/disappeared on an investigation that was then covered up by the Bureau – not a bad little background for a few minutes work but one that other characters can easily relate to.
Another method of easing this process is the use of games that already involve this process to some degree in the character generation, this was useful during the character generation for the Judge Dredd session, the MGP Judge Dredd rules use their version of the Traveller rules system, which involves making choices on a life-path system to define a character. Using such systems means that, by the time your character is generated, you already have several major points of their life defined, allowing you to crack straight on with the game.
Plotlines and GMing
Convoluted plotlines tend to be a bit of a no no for the one-shot game session, since time is at a bit of a premium (most of our games tending to run for either one or two 3-4 hour sessions) players will want to jump straight into the action and begin working through the plot; I have observed in our games that the one-shot game tends to lead players to have a more ‘solve the puzzle’ mentallity concerning the plot, it is something there to be solved and progressed with. I suspect that this occurs because the characters are less “unique” (although no less fun to play for this) and therefore there is not the extensive background and character details present to elaborate on, the element of personal development and discovery is lessened in pursuit of progressing with the game plot.
The same applies to NPCs and foes in the game, such people tend to be slightly exaggerated or more easily recognisable as one or the other in a one off game, because there is fairly little chance that the NPCs will crop up further down the line (beyond the one or two sessions of the game); when I have been GMing one-shot games I tend to divide NPCs into two camps, the disposable mook and the memorable NPC. Disposable mooks are just that, they are there to provide a brief speed bump to the players, a small combat or obstacle to overcome but they have fairly little character to them beyond their immediate role; one example of this would be a street gang of thugs that menaces the players but inevitably flees should the fight go against them. Memorable NPCs are everyone that the players talk to or that play a major part in the plot, I tend to create some quick stats for these NPCs (focussing on what role I expect the NPCs to play in the session) and give them one or two distinguishing characteristics or hooks that the players can immediately identify them by; these characteristics could be anything from a certain way of speaking, a physical characteristic or perhaps even a piece of equipment or a location associated with the character, as long as it causes the NPC to stick in the player’s minds and as long as it says or implies something about the NPC.
Conclusions
None of what I have written above should be taken to mean that I favour either one game style or the other, they both fill a valuable gaming niche; whilst a long running campaign can be very satisfying and rewarding if done well (and can go places that one-off games cannot), it is far more difficult as time goes on (and real-life commitments intrude more and more on precious gaming time) to muster the players and planning time necessary to do a campaign game justice. This is where the one-shot game comes in, they can be run in a handful of hours with easy to play characters and plotlines that, whilst perhaps not the most complex or convoluted, are good fun and fast-paced.
I would urge anyone who has not run a one-off game to give it a try and find out what a different experience it is.