JosIn-case anyone is planning to point it out, I’m aware that the featured image for this post in Frankenstein’s monster rather than Frankenstein himself 😉

Any of us who’ve created and ran a campaign world–whatever the game may be–you know that it can be an awful lot of work. Not only are you having to put in all the normal amounts of session prep, but you’re spending time between games creating mythologies, drawing maps, not to mention the work that goes in before the campaign even starts, creating the bedrock of the campaign setting so that your players have some idea what world they’ll be adventuring in. This isn’t to say the campaign creation can’t be fun, if–like me–you enjoy creating stories and seeing things scribbled on paper come to life in games, then you probably get a lot of enjoyment from campaign creation, it’s still a lot of work though.

So what can you do about it?

I think that one of the greatest mistakes that some GMs make–when it comes to campaign creation–is assuming that they have to create 100% of the campaign world from scratch. Nothing could be further from the truth. Whilst creating elements of your campaign whole-cloth can be very rewarding and satisfying, it also drastically increases the amount of time you’ll spend agonising over your campaign world notes. We all have non-game stuff going on in life competing for our limited free time, and sometimes it can be difficult to find the time to sit down and spend hours writing up whole swathes of a campaign world.

Now there are a few different approaches you could take to get around this:

• Just wing it

Don’t worry too much about your campaign world prep and just wing the details you need. This obviously cuts down your prep to pretty much nothing and can work, but only if you are confident in your improvisational skills and take copious notes (or have a really good memory), otherwise your liable to find yourself running into trouble as you forget details previously established in play.

• Use a pre-published campaign setting

This has the advantage that a lot of the work is done for you, but you’ll still have to read all of the campaign book and tweak it to fit your specific group. There’s also the potential issue of one of your players knowing the established setting better than you do.

• Frankenstein approach

In much the same way as Doctor Frankenstein created his monster from the stitched together body parts of different people, I suggest doing the same when creating your campaign. Don’t restrict yourself to just using a single campaign, take bits and pieces from different pre-published campaigns, adventure modules, etc, stitch them together and then fill in any cracks with your own creations. Using this method will create a campaign world that still feels like your campaign, but will save you having to create absolutely everything from scratch.

Example of the Frankenstein Approach

This approach is one that I’ve been moving towards since becoming more interested in OSR gaming, since a lot of those systems are broadly compatible it makes sense to beg, steal and borrow maps, pictures and text from the many and various different sources. Currently I’m using this approach for my Rose of Westhaven LOTFP campaign. When I began the campaign I started with the naïve assumption that I’d have enough time to detail every last little thing, health issues and other real-life factors quickly disabused be of this notion.

• Here’s what I did

I definitely didn’t want to wrap up the game, because I was–and still am–having great fun running it and my players seem to really be enjoying it, but I also didn’t want to short-change them by presenting a wishy-washy, sketchy campaign world just because I didn’t have the time to develop it fully. In addition to the hand-drawn maps I’d created I had already started taking different maps from the internet to save me time.

For example: Porthcrawl Village, Salazaar’s Tower and the Church of Peaceful Repose in my campaign are all maps that I found online and then imported into Roll20, Google Image Search is your friend when it comes to finding maps. Even if you can’t find something 100% right for your game, locate something that is pretty near to what you want and then alter it, it’ll still save you a bucket-load of time.

A little while ago I backed a Kickstarter for the Midderlands OSR setting and bestiary, set in a fantasy version of Britain and Ireland, recently I started to notice how well this campaign setting dovetailed with the information that I’d already established for our campaign. Don’t get me wrong, it wasn’t a 100% match, but it was near enough that I could see how I could get a lot of material from the Midderlands and import it into my campaign without having to make too many alterations.

For example: Midderlands comes with a map containing a fantasy version of the Midlands in the UK, since this is on a larger scale than the map I’m currently using, it won’t be difficult–when we zoom out from our current campaign map–to incorporate it into the larger Midderlands world map. An expanded version of the map that shows the Midderlands version of Britain and Ireland is about to drop onto Kickstarter soon as part of a second book in the series, I’m planning to back that and use the maps from it for my campaign.

The book also contains a lot of folkloric information that has been adapted from real-world folklore and information, since it uses the same sources as my campaign setting it will be easy to incorporate, especially since our campaign takes place in a different time period to the default Midderlands campaign.

Advice for Using the Frankenstein Approach

There are a few things that are normally easy to incorporate into your campaign setting:

• Maps: There are loads of different maps and images available on the internet via Google Image Search, these are incredibly easy to drop into a game, just find a map that looks like a tower, town or whatever and then write your own key and details to go with it.
• Adventure Modules: Depending on your choice of genre and games the ease of using adventure modules may vary, however, there are plenty of generic adventure modules out there that could be re-skinned to use in your campaign, even modules that have specific game stats can be altered to work with your own campaign. Make some notes on the book and look up equivalent stats for your system of choice and then run with it.
• Pictures: A picture paints a thousand words, having an image of an NPC or an item found by your heroes can really help to provide visual impact for your game, again here Google Image Search is your friend, but you can also find suitable images in magazines and RPG products, even if they’re not perfect, as long as they give your players an idea then it’s a useful shortcut.
• Campaign details: It’s often harder to convert elements from a published campaign to incorporate into your own, depending on how much flexibility your existing ideas give you to add new stuff in or alter old details, this is why I prefer to paint the broad-strokes of a campaign world and only drill down to the detail as necessary, it gives me more wiggle-room when it comes to incorporating material from other sources.

Joseph Teller mentioned the important point that it is very possible when using this method to create a monstrosity whose flaws only become visible further down the line, I think this is a good point and certainly something to keep in mind when you’re stitching extra material into your campaign. Joseph says that–in his opinion this method only really works for shorter lived games–I think it’s certainly easier to pull off and requires less forethought with shorter games, but as long as you’re careful it shouldn’t be too much of a problem for a longer game IMO.