A few months ago myself and some friends (some of whom don’t have the time to game as much as they used to anymore due to family and other real-life commitments) decided that we would run a series of one-shot games on a Wednesday evening every couple of weeks or so, so far we’ve had a Mongoose Judge Dredd game run by myself in which the players tried to track down perps smuggling narcotics from the wasted earth into Mega-City One, a Star Trek hombrew game run by my wife Hannah where the crew of a single federation ship attempted to stop the Dominion in an alternate trek-timeline and a game run by a friend where we played ourselves in a semi-apocalyptic future setting where an evil villain from a RP world had taken over the Earth and our only hope lay in creating characters that could battle him on his own footing. Recently we played a Hunter the Vigil game run by Barry (my description of the session can be found at http://wh40krpg.blogspot.co.uk/2013/07/hunter-vigil-session-write-up-agent.html) that I very much enjoyed and am looking forward to the second concluding part, since exparently we spent so long chewing scenery and exploring our characters that we’d only actually reached the start of the main plot at the first session. The game started me thinking about the potential positive and negatives of running one-shot games over the more tradition (in my case anyway) campaign games.
During the course of a normal campaign game we generally try to avoid characters that are too stereotyped since we know that we’ll have plenty of game hours and sessions to further develop the character and explore him in greater detail, this is not the case in the one-shot where you want to get into playing the character as soon as possible, and you want other people to be able to react to him appropriately; in my experience this leads to creating character based more on easily recognisable archetypes. In a one-off session you want to be able to jump straight in, since you know that you don’t have the (often) more leisurely pace of the campaign game – i’ve found that either creating a history from well known tropes that the other players can immediately pick up on is one what of handling this; for example my character in Hunter, Agent Frank Dublowski, is a hard drinking ex-cop whose partner was killed/disappeared on an investigation that was then covered up by the Bureau – not a bad little background for a few minutes work but one that other characters can easily relate to.
Another method of easing this process is the use of games that already involve this process to some degree in the character generation, this was useful during the character generation for the Judge Dredd session, the MGP Judge Dredd rules use their version of the Traveller rules system, which involves making choices on a life-path system to define a character. Using such systems means that, by the time your character is generated, you already have several major points of their life defined, allowing you to crack straight on with the game.
Plotlines and GMing
Convoluted plotlines tend to be a bit of a no no for the one-shot game session, since time is at a bit of a premium (most of our games tending to run for either one or two 3-4 hour sessions) players will want to jump straight into the action and begin working through the plot; I have observed in our games that the one-shot game tends to lead players to have a more ‘solve the puzzle’ mentallity concerning the plot, it is something there to be solved and progressed with. I suspect that this occurs because the characters are less “unique” (although no less fun to play for this) and therefore there is not the extensive background and character details present to elaborate on, the element of personal development and discovery is lessened in pursuit of progressing with the game plot.
The same applies to NPCs and foes in the game, such people tend to be slightly exaggerated or more easily recognisable as one or the other in a one off game, because there is fairly little chance that the NPCs will crop up further down the line (beyond the one or two sessions of the game); when I have been GMing one-shot games I tend to divide NPCs into two camps, the disposable mook and the memorable NPC. Disposable mooks are just that, they are there to provide a brief speed bump to the players, a small combat or obstacle to overcome but they have fairly little character to them beyond their immediate role; one example of this would be a street gang of thugs that menaces the players but inevitably flees should the fight go against them. Memorable NPCs are everyone that the players talk to or that play a major part in the plot, I tend to create some quick stats for these NPCs (focussing on what role I expect the NPCs to play in the session) and give them one or two distinguishing characteristics or hooks that the players can immediately identify them by; these characteristics could be anything from a certain way of speaking, a physical characteristic or perhaps even a piece of equipment or a location associated with the character, as long as it causes the NPC to stick in the player’s minds and as long as it says or implies something about the NPC.
None of what I have written above should be taken to mean that I favour either one game style or the other, they both fill a valuable gaming niche; whilst a long running campaign can be very satisfying and rewarding if done well (and can go places that one-off games cannot), it is far more difficult as time goes on (and real-life commitments intrude more and more on precious gaming time) to muster the players and planning time necessary to do a campaign game justice. This is where the one-shot game comes in, they can be run in a handful of hours with easy to play characters and plotlines that, whilst perhaps not the most complex or convoluted, are good fun and fast-paced.
I would urge anyone who has not run a one-off game to give it a try and find out what a different experience it is.